Tessellation Backgrounds

Quarter-circle arcs sit at a random turn in every cell of the grid, and each tile rocks a quarter turn on its own beat so the paths keep rewiring.

Two line grids of slightly different pitch sit over one another and one rocks a couple of degrees, so wide interference bands sweep across the frame.

The frame halves itself again and again into unequal rectangles, then every panel breathes at its own rate against the grid it belongs to.

Circles drop in at every size that will still fit without touching, filling the frame, then each one pulses gently against its neighbours.

Warp and weft ribbons cross in a true over-and-under weave, and every strip slides a little against the cloth so the basket keeps shifting.

Points drift on slow orbits and the frame retriangulates around them every frame, so the whole low-poly mesh keeps rebuilding itself.

Each drifting seed claims the ground closest to it, so the cell walls slide and stretch as the points move past one another.

Several wave fronts sum into a rolling height field, and marching squares traces a clean isoline at every level as the landscape moves under them.

A seeded board runs the neighbour rules forward generation by generation, then plays the whole run backwards so the loop closes exactly.

Thin and thick rhombs subdivide at the golden ratio into a pattern that never repeats, then breathe in slow waves across the tiling.