Letters slide together until their real letterform edges touch, compress against each other, then spring out to their final spacing.
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An invisible magnet sweeps through the headline and every letter flees it, dragging its neighbours along on an elastic chain before the whole line springs back into place.
Part of Text Animations. New to this kind of graphic? Read Animated text: kinetic typography you can type into.
An invisible magnet sweeps through the headline and every letter flees it, dragging its neighbours along on an elastic chain before the whole line springs back into place. It belongs to the Text Animations category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Content: text. Typography: font, weight, size, letter spacing, line height and align. Style: background, text color, primary, secondary and accent. Layout: aspect ratio. Motion: duration, easing and variation. Each change appears in the live preview straight away, and editing is free.
Letter Repel Scatter runs 3.2 seconds by default, and you can set any length up to 15 seconds before you export. It plays once from start to finish, so it drops straight onto a cut or an opening.
Yes. Set the background to Transparent and export WebM with a VP9 alpha channel, then put it on a track above your footage. If your editor does not decode WebM alpha, transcode it once to an alpha codec it supports. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.
Letters slide together until their real letterform edges touch, compress against each other, then spring out to their final spacing.
A container measures every headline and springs to hug it exactly, re-flowing wider, narrower or taller as the wording changes.
Two words made of the same letters trade places: each letterform travels to its new position and reshapes on the way, so one phrase becomes the other without a cut.
Letters sharpen out of a dreamy blur from the center outward for elegant, cinematic titles.
One shared word stays pinned in place while the rest of the line cuts away and reforms around it, so the whole chain reads as a single moving object.
A sentence keeps one live slot word: as it swaps, the highlight marker stretches to the new word's width, the rest of the line reflows around it and letters the two words share glide to their new place.
Oversized lettering rides an S-curve that pulls taut and springs back, every letter re-solving its position and tilt as the path deforms.
Your text flies in fast and shears, stretches and smears in exact proportion to its own velocity, then snaps back on a spring that overshoots and settles.