Particle Effects

How to Add Confetti and Particle Effects to a Video

Updated October 30, 20263 min read

How do you add confetti to a video?

Pick a particle preset, set the colors and density, then export a transparent WebM. Place it on the track above your footage and trim it to the celebration beat. Because the alpha channel is real, no keying or screen blend mode is needed.

Particles sell a moment: a win, a launch, a milestone. These presets burst confetti, twinkle sparkles, drift dust and drop snow, with density, speed and color under your control.

Five particle effects presets to start from

Hover any card to play it. Opening one loads it in the editor with every control unlocked.

  • Confetti Burst

    Three cannons fountain tumbling, fluttering confetti across the frame and rain it down in a seamless celebration loop.

  • Sparkle Twinkle

    Glinting four-point stars twinkle across the frame with a soft glow. Adds instant magic to any shot.

  • Snowfall

    Layered snowflakes fall with gentle sway and depth blur for a cozy, seamless winter loop.

  • Dust Float

    Tiny glowing specks drift and shimmer through the air like dust in a sunbeam. Subtle cinematic texture.

  • Firework Show

    Shells streak into the sky and explode into falling sparks. Great for new year, launches and big wins.

All particle effects

Step by step

  1. Choose by the moment

    Confetti Burst fires three cannons for a win or an announcement. Snowfall drifts layered flakes across a holiday or winter scene. Dust Disintegration crumbles your own text into drifting grains, for a dramatic ending or a word that needs to vanish. All three start on a transparent background.

  2. Tune the color and amount

    Most particle presets share Primary, Secondary, Accent, Density, Variation and Scale. Density sets how many particles appear, Scale sets their size, and Variation gives you a different random arrangement. Confetti Burst adds Position. Dust Disintegration adds Text, Font and Size, plus a Direction setting for which way it breaks up.

  3. Match length to the effect

    Defaults run from 2.5 to 10 seconds. Many presets, including Confetti Burst and Fire Embers, are marked as loops, so they can repeat under a long shot. Bursts such as Heart Burst are single events, which you should line up to the beat. Check Density again after switching to 9:16.

  4. Export over transparency

    Of the 45 presets, 43 start transparent. Keep it that way, because MP4 would fill the empty space with black. Use a PNG sequence for Premiere Pro or After Effects, and WebM with alpha for CapCut, Resolve or OBS. Firework Show and Digital Code Rain start on solid backgrounds.

  5. Trigger it on the beat

    In DaVinci Resolve, drag the frames folder into the media pool and it loads as one clip. Set the frame rate in Clip Attributes, then put the clip on a video track above your footage, with the first burst of particles on the moment you are celebrating.

Where it is used

  • Milestones and giveaway results

    Confetti falls over a creator's reaction when a subscriber goal is announced or a winner is named, turning a plain talking shot into a clear moment of celebration.

  • Seasonal social posts

    Snow, petals or autumn leaves drift over a shop's product clip or a greeting, setting the season quickly without shooting anything new on location at all.

  • Trailers and dramatic title moments

    Embers rising across a dark shot or a title crumbling into dust gives a game trailer or a story channel more atmosphere than the footage carries alone.

Presets
45
Default duration
2.5 to 10 seconds
Marked as loops
32 presets
Best export
PNG sequence or WebM with alpha

Which format should you export?

Transparent WebM. Confetti with a background plate is confetti you have to key, which is the job it was meant to save you.

Format
MP4 · WebM · PNG sequence
Alpha
WebM or PNG sequence
Resolution
720p to 8K
Aspect
16:9 · 9:16 · 1:1 · 4:5
License
Commercial use included

Three tips that make it look intentional

  • Trigger the burst on the beat, not before it.
  • Two or three brand colors look designed; a rainbow looks like a template.
  • Keep density low when the particles sit over faces or text.

Three things people get wrong

  • Running the burst for four seconds. The moment is the first half second and the fall after it.
  • Filling the frame at maximum density, which reads as a screen error rather than a celebration.
  • Using the default palette on branded content when three brand colors would do the same job and look intentional.

Frequently asked

Do I need to key out a black background?

No. Export transparent WebM and the alpha channel is already there, which also avoids the grey halo a screen blend leaves behind.

Can I control how much confetti falls?

Density, speed and variation are all editable, and the seeded randomness means the same settings always render the same clip.

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