Each line glides up from behind an invisible mask while an accent bar draws underneath. Editorial and bold.
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A newspaper page builds itself around your headline: rules draw on, the headline sets line by line, then greeked columns flow around a halftone photo block.
Part of Text Animations. New to this kind of graphic? Read Animated text: kinetic typography you can type into.
A newspaper page builds itself around your headline: rules draw on, the headline sets line by line, then greeked columns flow around a halftone photo block. It belongs to the Text Animations category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Content: title, eyebrow, subtitle and label. Typography: font, label font, weight and size. Style: background, text color, primary, secondary and accent. Layout: aspect ratio. Motion: duration, easing and variation. Each change appears in the live preview straight away, and editing is free.
Newsprint Headline Set runs 6 seconds by default, and you can set any length up to 15 seconds before you export. It plays once from start to finish, so it drops straight onto a cut or an opening.
Yes. Set the background to Transparent and export WebM with a VP9 alpha channel, then put it on a track above your footage. If your editor does not decode WebM alpha, transcode it once to an alpha codec it supports. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.
Each line glides up from behind an invisible mask while an accent bar draws underneath. Editorial and bold.
Your title is printed as two offset halftone screens of dots that sweep in, then swell and shrink in a travelling wave like pulsing pop art ink.
One shared word stays pinned in place while the rest of the line cuts away and reforms around it, so the whole chain reads as a single moving object.
Every letter independently shuffles through different typefaces, weights, sizes and baselines on twos, re-laying out the whole line each step, until the shuffle thins out and the words land on one clean setting.
A sentence keeps one live slot word: as it swaps, the highlight marker stretches to the new word's width, the rest of the line reflows around it and letters the two words share glide to their new place.
A paragraph pours itself into a silhouette, rewrapping and resizing line by line so the type itself becomes the shape, then reveals row by row.
A print screen of dots swells and shrinks as a seeded noise field drifts underneath, so the whole surface breathes without a single dot leaving its cell.
A full front page sets itself from your masthead, headline and deck, with halftone photo and side stories, then spins in and lands.