Each line glides up from behind an invisible mask while an accent bar draws underneath. Editorial and bold.
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Each line is scaled and tracked until it sits flush with both edges of the measure, so a two-word line and a five-word line carry wildly different weight.
Part of Text Animations. New to this kind of graphic? Read Animated text: kinetic typography you can type into.
Each line is scaled and tracked until it sits flush with both edges of the measure, so a two-word line and a five-word line carry wildly different weight. It belongs to the Text Animations category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Content: text. Typography: font, weight and letter spacing. Style: background, text color, primary and accent. Layout: aspect ratio. Motion: duration, easing and variation. Each change appears in the live preview straight away, and editing is free.
Justified Stretch Stack runs 4.2 seconds by default, and you can set any length up to 15 seconds before you export. It plays once from start to finish, so it drops straight onto a cut or an opening.
Yes. Set the background to Transparent and export WebM with a VP9 alpha channel, then put it on a track above your footage. If your editor does not decode WebM alpha, transcode it once to an alpha codec it supports. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.
Each line glides up from behind an invisible mask while an accent bar draws underneath. Editorial and bold.
A newspaper page builds itself around your headline: rules draw on, the headline sets line by line, then greeked columns flow around a halftone photo block.
A paragraph pours itself into a silhouette, rewrapping and resizing line by line so the type itself becomes the shape, then reveals row by row.
Every line is sized to span the full column, so the words lock into a solid block while hairlines draw between them.
One shared word stays pinned in place while the rest of the line cuts away and reforms around it, so the whole chain reads as a single moving object.
Every letter independently shuffles through different typefaces, weights, sizes and baselines on twos, re-laying out the whole line each step, until the shuffle thins out and the words land on one clean setting.
Your first word's letterforms stretch and flow directly into the second word's, contour by contour, with spare shapes growing in or collapsing away. Put each word on its own line.
A sentence keeps one live slot word: as it swaps, the highlight marker stretches to the new word's width, the rest of the line reflows around it and letters the two words share glide to their new place.