The needle sweeps the lit band and overshoots each station before settling, hiss washing across the glass until the call sign lights and the frequency locks.
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Colour bars wipe across, roll up and settle into a full test card: converging wedges, greyscale staircase, castellated ring and a ticking clock.
Part of Film & Retro Textures. New to this kind of graphic? Read Film and VHS effects: analog texture over digital footage.
Colour bars wipe across, roll up and settle into a full test card: converging wedges, greyscale staircase, castellated ring and a ticking clock. It belongs to the Film & Retro Textures category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Content: title and subtitle. Typography: font and weight. Style: background, text color, primary, secondary and accent. Layout: aspect ratio. Motion: duration, intensity, density and variation. Each change appears in the live preview straight away, and editing is free.
Test Card runs 10 seconds by default, and you can set any length up to 60 seconds before you export. It plays once from start to finish, so it drops straight onto a cut or an opening.
Yes. Set the background to Transparent and export WebM with a VP9 alpha channel, then put it on a track above your footage. If your editor does not decode WebM alpha, transcode it once to an alpha codec it supports. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.
The needle sweeps the lit band and overshoots each station before settling, hiss washing across the glass until the call sign lights and the frequency locks.
A character-cell teletext page loads in: the number spins up, mosaic block graphics paint on ink by ink and each line types itself across the grid.
A cabinet left in attract mode: the pixel title drops in with its offset shadow, the high score table counts on line by line and PRESS START blinks over a scrolling starfield.
A mixtape cassette with your handwritten-style label spins its reels while the tape winds from one spool to the other.
The picture loses vertical hold, rolls up through the blanking bar with the frame tearing sideways, then locks onto the next channel.
A glowing phosphor screen squeezes into a bright scan line, shrinks to a dot and leaves a fading afterglow.
The wind wheel clicks the counter down, the flash fires and blows out the middle of the frame, leaving hard falloff, heavy grain and a thumb over the corner.
Hot orange light eats in from the frame edge, flares to white at the cut and cools away like burning celluloid.