Translucent bioluminescent jellyfish pulse their bells and surge slowly upward through the deep, trailing wavy tentacles and glowing softly with each beat.
Hundreds of silver fish circle into a rotating bait ball that breathes in and out, flashing as their flanks catch the light from the surface.
Part of Backgrounds / VFX. New to this kind of graphic? Read VFX overlays: smoke, fire and lightning you can recolour.
Hundreds of silver fish circle into a rotating bait ball that breathes in and out, flashing as their flanks catch the light from the surface. It belongs to the Backgrounds / VFX category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Style: background, primary, secondary and accent. Layout: aspect ratio and scale. Motion: duration, density, variation, speed and intensity. Each change appears in the live preview straight away, and editing is free.
Fish School Bait Ball runs 12 seconds by default, and you can set any length up to 60 seconds before you export. It loops seamlessly, so you can repeat it on your timeline for as long as the shot needs.
Yes. Set the background to Transparent, then export a PNG sequence for Premiere Pro, After Effects, DaVinci Resolve, Final Cut Pro or Figma: import the first frame as an image sequence and it drops onto a track above your footage with a straight alpha channel. Export WebM with a VP9 alpha channel for the web and for CapCut. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.
Translucent bioluminescent jellyfish pulse their bells and surge slowly upward through the deep, trailing wavy tentacles and glowing softly with each beat.
A full underwater scene: layered kelp fronds sway in the current, nearer stalks darker and larger, under soft light shafts and drifting particles.
A full underwater view looking up at the rippling surface: a bright window of refracted sky wobbles overhead, light bands ripple across the water and faint rays fan down into the blue.
A swell rises out of the sea, curls its lip over into a hollow barrel and crashes down in a burst of white spray, flying droplets and spreading foam.
As the rain thins and sunlight breaks onto the hills, a primary rainbow with faint supernumerary bands fades in against a dark storm sky, followed by a fainter reversed secondary bow with the darker band between them. The sky, rain and hills are drawn as a full scene.
Deep-sea darkness where clumps of organic marine snow drift slowly down in depth layers, broken by soft bioluminescent flashes and tiny glowing creatures leaving faint trails.
Glowing fungal threads creep out of seed points through dark soil, curling and branching into a living web, then bright nutrient pulses travel along the strands. The soil is part of the scene.
Rows of stylised ocean swells roll in from a hazy horizon in perspective, their crests catching foam and brief glints of light.