Banks of cloud rush toward the camera in depth, swelling as they approach and parting around the lens as you fly through them.
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As the rain thins and sunlight breaks onto the hills, a primary rainbow with faint supernumerary bands fades in against a dark storm sky, followed by a fainter reversed secondary bow with the darker band between them. The sky, rain and hills are drawn as a full scene.
Part of Backgrounds / VFX. New to this kind of graphic? Read VFX overlays: smoke, fire and lightning you can recolour.
As the rain thins and sunlight breaks onto the hills, a primary rainbow with faint supernumerary bands fades in against a dark storm sky, followed by a fainter reversed secondary bow with the darker band between them. The sky, rain and hills are drawn as a full scene. It belongs to the Backgrounds / VFX category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Style: background, primary, secondary and accent. Layout: aspect ratio and scale. Motion: duration, density, variation and intensity. Each change appears in the live preview straight away, and editing is free.
Double Rainbow Arc runs 5 seconds by default, and you can set any length up to 60 seconds before you export. It plays once from start to finish, so it drops straight onto a cut or an opening.
Yes. Set the background to Transparent, then export a PNG sequence for Premiere Pro, After Effects, DaVinci Resolve, Final Cut Pro or Figma: import the first frame as an image sequence and it drops onto a track above your footage with a straight alpha channel. Export WebM with a VP9 alpha channel for the web and for CapCut. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.
Banks of cloud rush toward the camera in depth, swelling as they approach and parting around the lens as you fly through them.
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