
Arrow-shaped bands race across the frame ahead of a solid chevron cover, then chase it out to reveal the next shot.
Split Doors

Two panels slam shut from opposite sides to meet at a center seam, then pull apart to open on the next shot.
Part of Shape Transitions. New to this kind of graphic? Read How to Add Shape Transitions to a Video.
Two panels slam shut from opposite sides to meet at a center seam, then pull apart to open on the next shot. It belongs to the Shape Transitions category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Style: background, primary and secondary. Layout: aspect ratio and direction. Motion: duration and easing. Each change appears in the live preview straight away, and editing is free.
Split Doors runs 1 second by default, and you can set any length up to 5 seconds before you export. It plays once from start to finish, so it drops straight onto a cut or an opening.
Yes. Set the background to Transparent, then export a PNG sequence for Premiere Pro, After Effects, DaVinci Resolve, Final Cut Pro or Figma: import the first frame as an image sequence and it drops onto a track above your footage with a straight alpha channel. Export WebM with a VP9 alpha channel for the web and for CapCut. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.

Arrow-shaped bands race across the frame ahead of a solid chevron cover, then chase it out to reveal the next shot.

Three brand-colored panels slide over each other with soft rounded edges for a polished corporate cut.

Horizontal slats unroll one after another to shut the frame like blinds, then fold away in the same order.

Stacked rounded squares pop in with an elastic overshoot and a quarter spin, then bounce open onto the next scene.

A layered circle expands from any point to cover the frame, then opens a clean hole into the next shot.

Four radial blades sweep around the center like a clock hand, covering and uncovering the frame.

Three color layers sweep across with a soft bowed edge that flattens as they land, then curve away to reveal the next shot.

Angled two-tone bars race across the screen in a staggered sweep for energetic, sporty cuts.