
The needle sweeps the lit band and overshoots each station before settling, hiss washing across the glass until the call sign lights and the frequency locks.
Film Grain & Dust

Organic 16mm grain boils with dust flecks, stray hairs, faint scratches and gentle flicker. A seamless analog overlay.
Part of Film & Retro Textures. New to this kind of graphic? Read How to Add a VHS or Film Look to Digital Footage.
Organic 16mm grain boils with dust flecks, stray hairs, faint scratches and gentle flicker. A seamless analog overlay. It belongs to the Film & Retro Textures category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Style: background, primary, secondary and accent. Layout: aspect ratio. Motion: duration, intensity, density and variation. Each change appears in the live preview straight away, and editing is free.
Film Grain & Dust runs 10 seconds by default, and you can set any length up to 60 seconds before you export. It plays once from start to finish, so it drops straight onto a cut or an opening.
Yes. Set the background to Transparent, then export a PNG sequence for Premiere Pro, After Effects, DaVinci Resolve, Final Cut Pro or Figma: import the first frame as an image sequence and it drops onto a track above your footage with a straight alpha channel. Export WebM with a VP9 alpha channel for the web and for CapCut. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.

The needle sweeps the lit band and overshoots each station before settling, hiss washing across the glass until the call sign lights and the frequency locks.
A rolling tracking band of tape noise, chroma bleed stripes, scanlines and a playback OSD with running timecode.

A record turns under a sweeping sheen while the tonearm swings in and drops onto the groove, your label spinning with the disc.

Cream-faced analog meters swing on real needle ballistics, overshooting each transient and falling back slowly, with the peak lamp catching the loud ones.

The drum turns and its slits chop the strip inside into frames, so the running figure flickers into motion the way the first animation toys worked.

A camera flash pops, then a glowing orange seven-segment date settles into the corner like a 2000s point-and-shoot photo.

A rounded projector gate frames your footage with soft edges, sprocket holes, gate weave, warm exposure flicker and grain.

A paused tape screen with a pause icon and label, a jittering noise band, a slight picture shake and a held tape counter.