Translucent bioluminescent jellyfish pulse their bells and surge slowly upward through the deep, trailing wavy tentacles and glowing softly with each beat.
Deep-sea darkness where clumps of organic marine snow drift slowly down in depth layers, broken by soft bioluminescent flashes and tiny glowing creatures leaving faint trails.
Part of Backgrounds / VFX. New to this kind of graphic? Read VFX overlays: smoke, fire and lightning you can recolour.
Deep-sea darkness where clumps of organic marine snow drift slowly down in depth layers, broken by soft bioluminescent flashes and tiny glowing creatures leaving faint trails. It belongs to the Backgrounds / VFX category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Style: background, primary, secondary and accent. Layout: aspect ratio and scale. Motion: duration, density, variation, speed and intensity. Each change appears in the live preview straight away, and editing is free.
Marine Snow Abyss runs 14 seconds by default, and you can set any length up to 60 seconds before you export. It loops seamlessly, so you can repeat it on your timeline for as long as the shot needs.
Yes. Set the background to Transparent, then export a PNG sequence for Premiere Pro, After Effects, DaVinci Resolve, Final Cut Pro or Figma: import the first frame as an image sequence and it drops onto a track above your footage with a straight alpha channel. Export WebM with a VP9 alpha channel for the web and for CapCut. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.
Translucent bioluminescent jellyfish pulse their bells and surge slowly upward through the deep, trailing wavy tentacles and glowing softly with each beat.
A full underwater scene: layered kelp fronds sway in the current, nearer stalks darker and larger, under soft light shafts and drifting particles.
A full underwater view looking up at the rippling surface: a bright window of refracted sky wobbles overhead, light bands ripple across the water and faint rays fan down into the blue.
A full night beach scene: dark waves roll in under the stars and their foam edge glows electric blue as it spreads up the sand, then retreats and fades.
Soft glowing smoke in two colours rises and folds across a dark frame, blending where the plumes cross in a calm abstract loop.
Tiny bright aircraft cross a blue sky, each leaving twin white contrails that merge, widen, drift and slowly fade behind it.
Hundreds of silver fish circle into a rotating bait ball that breathes in and out, flashing as their flanks catch the light from the surface.
Thin-film rainbow bands swirl slowly across dark water, each ring traced by a fine bright interference edge that shifts through the spectrum.