A close-up of a banded gas giant filling the frame: cloud belts stream at different speeds with turbulent eddies and curling shear lines, while a great oval storm spins among them. Stars are drawn.
From the cratered surface of a moon, a huge banded and ringed gas giant rises slowly over the horizon, its glow catching ridge lines, crater rims and boulders while the stars fade. Stars are drawn in the sky.
Part of Backgrounds / VFX. New to this kind of graphic? Read VFX overlays: smoke, fire and lightning you can recolour.
From the cratered surface of a moon, a huge banded and ringed gas giant rises slowly over the horizon, its glow catching ridge lines, crater rims and boulders while the stars fade. Stars are drawn in the sky. It belongs to the Backgrounds / VFX category on velements, where you edit it in the browser and download it as a finished video file.
Every control in the editor, grouped the same way there. Style: background, primary, secondary and accent. Layout: aspect ratio and scale. Motion: duration, density and variation. Each change appears in the live preview straight away, and editing is free.
Giant Planet Rising Over an Alien Moon runs 12 seconds by default, and you can set any length up to 60 seconds before you export. It plays once from start to finish, so it drops straight onto a cut or an opening.
Yes. Set the background to Transparent, then export a PNG sequence for Premiere Pro, After Effects, DaVinci Resolve, Final Cut Pro or Figma: import the first frame as an image sequence and it drops onto a track above your footage with a straight alpha channel. Export WebM with a VP9 alpha channel for the web and for CapCut. MP4 has no alpha channel, so it keeps a solid color or image behind the animation.
Yes. Each download comes with a perpetual commercial license in your name for client work, ads and products, and you may sell the edited clip on stock footage sites. Reselling the preset itself as an editable template is not allowed.
A close-up of a banded gas giant filling the frame: cloud belts stream at different speeds with turbulent eddies and curling shear lines, while a great oval storm spins among them. Stars are drawn.
A close-up of a ringed giant: fine ringlets and a clear main gap sweep across the frame, their shadow cast as dark bands across the moving cloud belts while the planet's own shadow cuts across the rings, which glow faintly with planetshine on their unlit face. Stars are drawn.
A banded gas giant hangs in space inside wide tilted rings, its storms drifting with the spin while the camera slowly sways around it.
A full-frame fluid art loop: rings of glossy acrylic paint keep spreading out from a pour, each layer opening lacy cells where the colour beneath shows through, under a soft studio sheen.
A distant night barrage seen behind layered hilly ridgelines: sharp white-orange flashes pop up behind the hills, lighting the low cloud deck and the ridge silhouettes before fading to a red afterglow, while some hits raise dark smoke columns and faint tracers arc up. The whole scene is drawn and loops seamlessly.
Faceted, cratered rocks tumble past at different depths, the near ones large and fast, the far ones small and hazy, all lit from one side over a starfield.
A capsule plunges through the upper atmosphere wrapped in a flickering plasma sheath that runs from white-hot orange to violet, shedding ablation sparks and a long ionised trail above a curved, city-lit planet horizon. The space scene is drawn.
A full dusk scene: thousands of bats pour out of a dark cave mouth in a rocky cliff and stream up across the glowing sky in a twisting ribbon, each one flapping on its own beat.